While the lavish spectacle and surprising heart of Alita make it a great time at the theater, uneven performances and a mediocre script squander its potential.
Dan Gilroy’s Velvet Buzzsaw (2019) is a playful horror-satire that targets the world of contemporary art’s self-absorbed social elite to deliver a clear message about the distinction between art as a commercial commodity and art as genuine self-expression.
If you’ve been wondering what to watch next in Netflix’s endless library, Mowgli: Legend of the Jungle could be the next movie on the list!
Everyone I know who’s seen mid90’s says the same thing about it. “I liked it, it was good,” goes the common refrain, and while nobody I’ve talked to thinks it’s terrible, none of us call it great either.
Mandy (2018) is a dark and grotesque revenge film that begins as a light, sugary dream. As the film opens on a nondescript location someplace near the Shadow Mountains in 1983, the main character Red (Nicolas Cage) works as a logger, while Mandy (Andrea Riseborough) works as a cashier at a nearby gas station.
Written by Joe Ahart // Edited by Andrew Busch // ***MILD SPOILERS AHEAD*** When people recall the 80’s, it is hard not to think about the countless popular franchises that spawned out of the era. Terminator, Nightmare on Elm Street, Back to the Future, and so many other movies from this era still hold cultural value to this day. Some are even […]